Tag Archives: studio-condenser-microphones

Blue Microphones Baby Bottle SL

Blue Microphones Baby Bottle SLLarge-diaphragm studio cardioid condenser microphone that delivers classic sound and incredible versatility. With a richly present midrange, smooth top end, and neutral bottom, Baby Bottle SL is reminiscent of the world’s finest vintage microphones. Featuring a high-pass filter and -20 dB pad, Baby Bottle SL excels at adding a rich, classic vibe to nearly any sound source. Frequency response: 20 Hz – 20 kHz. Sensitivity: 39,8 mV/Pa at 1 kHz (1 pa = 94 dB SPL). Output impedance: 50 Ohm. Maximum SPL: 134 dB SPL (1kHz, THD 0.5%). S/N ratio: 83,2 dB-A. Noise level: 10,8 dB. Dynamic range: 123,2 dB. Power requirement: +48 V DC Phantom Power. Weight: 410 g. Dimensions: 222,5 x 51,5 mm. HPF: 100 Hz, 12 db per octave. PAD: -20 dB. Colour: Black/Gray
Blue Microphones microphones, condenser-microphones, studio-condenser-microphones

Current price & order: Blue Microphones Baby Bottle SL

Warm Audio WA-87

Warm Audio WA-87The classic ’87 is arguably the most widely-used large diaphragm condenser microphone in pop recording history. Rather than base our WA-87 circuit on current incarnations of this mic, company decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87. The WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a Cinemag USA output transformer. The WA-87 proudly uses company´s own Lens Kondensator custom reproduction of the classic K-87 dual backplate/dual diaphragm capsule, as found in early ’87 mics. The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been a challenge for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones have simply been out of reach for most people. We applied all that we know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth.
Warm Audio microphones, condenser-microphones, studio-condenser-microphones

Current price & order: Warm Audio WA-87

Rode NT2000

Rode NT2000Seamlessly variable dual condenser microphone with studio-quality large 1” HF1 gold sputtered capsule and continuously variable polar pattern, from Omni to Cardioid to Figure 8, and continuously variable PAD and High-Pass Filter. The polar patterns selection, filter and pad are conveniently located on the front of the microphone body for ease of use. Microphone is equipped with an audiophile quality surface-mount electronics that provide extremely low self-noise (7dBA) and a maximum SPL of 147 dB (up to 157 dB with pad fully engaged) giving an incredible amount of versatility and ensuring exceptional results. It features a high strength welded and heat treated steel mesh head, an XLR connector and an internal capsule shock mounting. SM2 shock mount and RC1 carrying case are included. Dimensions: 208 x 55 x 55 mm. Weight: 831 g.
Rode microphones, condenser-microphones, studio-condenser-microphones

Current price & order: Rode NT2000

Neumann TLM 102

Neumann TLM 102Condenser microphone with a compact body and classic Neumann design. It is designed for universal use. It has a cardioid polar pattern, frequency response 20 Hz – 20 kHz, impedance 50 ohms, maximum sound pressure 144 db SPL and slight presence boost above 6 kHz. The microphone capsule is placed in elastic suspension for the suppression of structure-borne noise. It is equipped with a grill cover that doubles as a pop-filter. It is ideal for home recording studios, small TV and radio. Package includes SG 2 holder. Dimensions: 52 x 116 mm. Weight: 210 g. Colour: Nickel.
Neumann microphones, condenser-microphones, studio-condenser-microphones

Current price & order: Neumann TLM 102

Warm Audio WA-47jr

Warm Audio WA-47jrFET Condenser Microphone. The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. Pad: -10 Db. High pass filter: 70 Hz. Self noise: 9 Dba. Dynamic range: 138 Dba. Max SPL: 147/157 Db. Frequency range: 20 Hz~20 Khz. Sensitivity: 10 MV/PA OR -40 Db. Output impedance: 100 Ohm. Rated load impedance: ≥1 Kohm. Equivalent noise: 10 Dba. Weight: 0,5 kg. Mic diameter: 52 mm. Mic length: 210 mm. Includes: shockmount, hard mount, storage pouch.
Warm Audio microphones, condenser-microphones, studio-condenser-microphones

Current price & order: Warm Audio WA-47jr